Characterization of Moll Flanders Essay Example

Portrayal of Moll Flanders Essay Example Portrayal of Moll Flanders Essay Portrayal of Moll Flanders Essay The storyteller and hero of the novel, who really passes by various names throughout her lifetime. Brought into the world a vagrant, she carries on with a changed and energizing life, traveling through an astounding number of relationships and issues and turning into a profoundly effective expert criminal before her possible retirement and contrition. Moll Flanders is the nom de plume she embraces, or rather is given by the criminal open, during her years as a specialist cheat. Molls Mother A sentenced criminal, Molls mother was shipped to the American states not long after her little girl was conceived. She returns as Molls relative halfway through the novel, when Moll goes to Virginia with the spouse who ends up being her stepbrother. She leaves her little girl a sizable legacy when she kicks the bucket, which Moll recovers in America toward the finish of the novel. The Nurse A widow in Colchester who deals with the kid Moll from the age of three through her high school years. The abrupt passing of this medical attendant encourages Molls arrangement with a neighborhood affluent family. The Elder Brother One of the two siblings in the family with which Moll spends her young years, he begins to look all starry eyed at her. She turns into the special lady of this more seasoned sibling, under the mixed up understanding that he plans to wed her when he comes into his legacy. Robert The more youthful of the two siblings who experience passionate feelings for Moll. He in the end weds her, regardless of his familys objection, however passes on following five years. The Draper Molls second spouse, a tradesman with the habits of a respectable man. His money related careless activities sink them into destitution, and he in the end escapes to France as an outlaw from the law. The Plantation Owner A man who weds Moll under the trickiness that she has an incredible fortune. Together they move to Virginia, where he has his ranches. There, Moll discovers that he is really her relative and leaves him to come back to England. The Gentleman A wealthy man who gets to know Moll and in the long run makes her his fancy woman. His significant other is distraught, however he saves Moll for a long time before a disease and strict experience brief him to sever the undertaking. The Banker A prosperous man whom Moll consents to wed in the event that he will separate from his unfaithful spouse. They live joyfully for quite a while, however he at that point bites the dust. Jemy Also called James and my Lancashire usband, he is the main man that Moll has any genuine love for. They wed under a shared double dealing and afterward go separate ways. In the long run they are brought together in jail and start another coexistence in America. My Governess Molls landlord and birthing assistant, later her companion and confederate in wrongdoing. She assists Moll with dealing with an awkward pregnancy and starts her into the criminal black market. Humphrey Molls child by the spouse who was additionally her sibling. She meets him with a mind-boggling fondness on her arrival to America, and he liberally causes her get set up there.

Marco in a View from a Bridge Essay

Offer guidance to an entertainer playing Marco on how he should introduce the character Marco is a character of two countenances. Toward the start of the play, an appreciative and deferential man is introduced to the crowd. He shakes Eddie’s hand, and clarifies that he wouldn't like to force †‘when you state go, we will go’. This is as a glaring difference to the supreme absence of regard your character gives Eddie later in the story, and the more-so you can make this the better the gathering will be from the crowd. Marco is likewise a serious held character. At the point when the two men previously go to the house, Marco talks just in short sentences, seldom explaining on his point. Be that as it may, he additionally appears to have a calm power and this is appeared in stage headings when Eddie ‘is coming increasingly more to address Marco only’. This authority is additionally indicated when Rodolpho begins to sing, saying ‘You’ll hush up, Rodolpho.’ quieting his sibling. This booking is likewise appeared in his reasonable feeling of brain, contrasted with his sibling who has perhaps inaccessible dreams. He is likewise not as colorful or detailed as his sibling, who sings, cooks and sews; he is a ‘regular bull’. This makes others regard him and this feeling of power and quality should be depicted. In the scene where Marco shows his quality by lifting the seat one-gave, the tables begin to turn. The regard Marco once had for Eddie appears to have vanished out of nowhere, as Marco menacingly holds the seat over Eddie’s head. By all accounts, it looks as if he is ensuring his sibling, yet the hidden reasons are for the most part that thusly, Marco has quite recently demonstrated Eddie’s inadequacy. This satisfaction in feeling unrivaled blended in with the barrier of his sibling makes Marco a wild character in this scene, and a character that may have been shadowed in before scenes come to noticeable quality in the play, and this proceeds in the later parts. The character at that point follows a horrible way of vengeance in the wake of understanding that is was Eddie that detailed them to Immigration. Your character loses compassion for the crowd because of this, and as you dismiss everything else †why you came to America, your family and so forth †the is by all accounts no empathy in Marco. He needs to slaughter Eddie as well as mortify him however much as could be expected all the while. Basically, Marco resembles Eddie. An officially mindful man of his family, he is a fair man who comes up short on the nature of absolution.

Ed Rendell’s Philadelphia Free Essays

It is uncommon for an open authority to be viewed as a legend not to mention a holy person.  With the tallness of the downturn and the careful occasions that cleared its approach to government officials battling about the craving of influence, notoriety and riches; Ed Rendell of Philadelphia demonstrated that he is a power to be figured with.â Sure, there have been a few self-portrayals composed over the upside of the renowned. We will compose a custom article test on Ed Rendell’s Philadelphia or on the other hand any comparative point just for you Request Now In any case, for this situation, Buzz Bissinger, exhibited not the glamour and the allure of the lawmaker but instead concentrating on the urban world and how their pioneer, for the sake of Mayor Rendell battled to spare the sinking social and monetary condition of his locale (Bissinger, 1998). Philadelphia, as separated and as monetarily injured notwithstanding the Western land attest, arrived at a point where their methods for living and the rising number of brutality is featured on the national paper.â Urban approaches have for some time been issues in the legislature, to what degree will the feds need to loan their hand on a specific zone? Pulitzer Prize champ Bissinger looked into and discovered fascinating settings on the hardships that the city experienced. Definitely more unique in relation to what those that covered up in the structures of the boulevards of New York or the tanning skins of those living it up and very much financed in the sea shores California.â Mayor Rendell was an innovator in his own privilege and a giver by heart.â He cites David Cohen in the principal section (Bissinger, 1998), â€Å"[h]ave I made the best decision here?†Ã¢â‚¬precisely the inquiry the greater part of the individuals who served before Rendell served his residency in office. First Term: The Meaningful Reforms Chairman Rendell’s first term in office (1992-1996) can be begat in one term: challenge.â Given the way that he was to acquire a previously bombed economy, it was very expected that he would either spare the city or decline the circumstance. As some other negative individual would create, they previously foreseen for the last mentioned. Philadelphia had a yearly spending plan of $200,000 which in the light is required to help its constituents that equivalents to 1.6 million. In a spot dressed with chapter 11 and defilement, it was a close demise circumstance. It resembled the urban poor society of the West and the odds of ascending from the behemoth of fate were 10:90. So Ed Rendell searched for intends to enrich award monies, decreases in government cutbacks and all other cost-cutting estimates feasible for his purview to endure. He mourned over the loss of employments and the extraordinary increment of savagery in each significant occasion that transcribed.â He was to look for each help loaned by the individuals who are happy to bear their burden.â But he additionally had a humanistic side of him; he loathed the individuals who composed inciting articles about his organization. He knew too well he just needed what was best for his fellowmenâ€so he battled for his poise close by. The Characters’ Accounts A recuperation plan was at hand.â Fifi Mazzcuza, popular for child rearing the parentless, underlined the horrible truth of the placeâ€drug dealings, robbery, and the various group related issues that enveloped the city by its darkest. Linda Morrison for one has seen the difficult truth of living in the suburbsâ€she saw in her unaided eyes the slaughter of the individuals who are profoundly lost and needing direction. She has been attacked by those whom she considered compatriots. What's more, in conclusion, Jim Mangan, a run of the mill Philly who endured the torment of budgetary requirement. He wasn’t alone, there were numerous who had a similar story as he does.â Finding work in his time resembled searching for a peck in a heap of sand, while the need to get by in the overwhelming precipitation that poured while they were carefully looking for. It was hard for them. What's more, exactly when everything appeared to be miserable, there was a flash of light. What's more, their story proceeds. Reference Bissinger, B. (1998). A Prayer for the City. New York, NY: Vintage.  Step by step instructions to refer to Ed Rendell’s Philadelphia, Papers

Comparing Child Protagonists in The Lion, the Witch and the Wardrobe and Ursula Le Guin’s A Wizard of Earthsea - Literature Essay Samples

Both C.S. Lewis’ The Lion, the Witch and the Wardrobe and Ursula Le Guin’s A Wizard of Earthsea tackle the idea of the child-protagonists having to go on a type of journey to defeat their respective foes and partaking in a search for their self-identity in the process. However, these ideas are taken on in very different ways as Lewis uses more Biblical implications to suggest the synonymy of finding one’s self-identity with rejecting sin and finding the path to Christ, whereas Le Guin puts a more secular, introspective spin on the search, suggesting that one should confront themselves to discover who they really are. Delving into the characters of Edmund, Peter and Ged, the concept of change and turning points reflect the implications of the messages about self-identity that both authors sought to convey. In The Lion, the Witch and the Wardrobe, each of the four children undergoes a journey of self-discovery upon entering the realm of Narnia, some more evident than others. The most obvious character that has a notable journey of self-discovery is Edmund. In the beginning of the novel, Edmund comes across as a selfish, defiant, attention-seeking and greedy bully. Granted many of these traits stem from middle-child syndrome and the effect of his relationship with Peter. Still, he constantly discourages Lucy and goes so far as to turn on his siblings for the royal title and Turkish delights that the White Witch offers him before having a change of heart. He becomes consumed and defined by his envy and need for attention. Edmund is so blinded by his lust for revenge on his brother and his greed that it takes him witnessing the White Witch turning an innocent party of animals into stone for him to realize that she is truly evil and does not have his or anyone else’s best interest at heart. It is then that, â€Å"Edmund for the first time in this story felt sorry for someone besides himself. It seemed so pitiful to think of those little stone figures sitting there all the silent days and all the dark nights, year after year, till the moss grew on them and at last even their faces crumbled away.† This is a major turning point in his spiritual journey because he begins to discover his true purpose and realizes the error of his ways, although it is too late for him to undo by this point. His redemption at the hands of Aslan says a lot about the author’s view of the importance of forgiveness and second chances in the journey to discover oneself. If he were condemned for his mistake, he would not have had the chance to mature into a brave, noble hero or to realize his purpose as the rightful King that Narnia needed him to be. Peter also displays his own proof of growth and discovery when they encounter the lamppost while chasing the White Stag. Although Susan is, by her own nature, reluctant to go past the vaguely familiar lamppost, Peter says, â€Å"For never since we four were Kings and Queens in Narnia have we set our hands to any high matter, as battles, quests, feats of arms, acts of justice, and the like, and then given over; but always what we have taken in hand, the same we have achieved.† Where before Peter and Susan were cautious to even believe in and explore something unfamiliar to them, his words here show that travelling through Narnia and fighting against the White Witch with Aslan made him a lot more confident in their ability to overcome anything they encounter, as well as more open-minded to the unknown. The unifying theme and overarching lesson learned throughout their time in Narnia is one of selflessness, which is evidenced by the fact that the children did not choose to stay i n Narnia once they felt the urge that they should leave. They instead gave up a life of royalty and took all that they learned about themselves back into the â€Å"real world† with them. Lewis used this story as a large allegory for his own Christian spiritual beliefs, with symbolic figures such as Aslan and the White Witch representing good and evil, respectively. He uses the plight of Edmund as a metaphor to imply that resisting the traps of evil and temptation can bring any sinner down the path to goodness, which is our implied individual purpose. For example, when Edmund is first introduced to the Witch, her status and what she offers him appeal to her and he even finds himself defending her to Peter, saying, â€Å"which is the right side? How do we know that the Fauns are in the right and the Queen (yes, I know weve been told shes a witch) is in the wrong? We dont really know anything about either.† Because he sees the potential in power (and Turkish Delights) tha t the Witch offers, he tries to convince himself that the Witch is just misunderstood rather than truly evil. However, once he is further exposed to the Witch’s mercilessly wicked ways and the danger she imposes, he comes to his senses. It is this realization and the rejection of continued involvement with the Witch that allows him to be saved by Aslan. The practicality of extracting and applying the larger proposal made by a metaphor to Christian ideology depends on the beliefs of the reader, but even those who are not religious can draw meaning from the suggestions made, such as the rejection of temptation, selfishness and greed for a greater cause. The message as revealed through Edmund is much more biblical where the message revealed through Peter, that self-discovery can come to those who are open-minded and willing to be wrong, is one that can be more universally applied. Although the religious overtone can come across heavily is some of the story’s moments, it i s still very likely that the plot can be understood alternatively or enjoyed objectively for what it is (especially by children who may be to young to grasp the symbolic meaning) which is what makes it a classic. In Ursula Le Guin’s A Wizard of Earthsea, protagonist Ged undergoes the most dominant search for identity when sets out to defeat an unleashed shadow only to find that his rival all along was essentially just himself. Like Edmund, Ged starts off as a bratty, pride-driven and immature teen. The reader cringingly witnesses him make several mistakes due to his need to show-off his magic and prove himself to others, such as when he tries to impress the daughter of the lord of Re Albi or when he accidentally summons a spirit in his fight with Jasper. However, it is that same pride that starts Ged’s quest for self-identity after he unleashes the shadow. Led by guilt from the fate of Archmage of Roke, this turning point takes him from loud and proud to timid and paranoid that he will make another big mistake but in order to find his happy medium, he has to learn to balance between the two sides of himself and between what he thinks he can do and what he can actually do. With t he help of Vetch’s reassuring attitude, Ged comes to a realization, â€Å"All the years and places of his brief broken life came within minds reach and made a whole again. He knew once more, at last, after this long, bitter, wasted time, who he was and where he was.† It is here that Ged begins to thinks more clearly and rebuild his confidence, although he was still afraid of what could happen to those around him. Finally, at the end of his quest, after facing many obstacles and returning to Ogion, he realizes he mustn’t kill the shadow but instead, he has to embody it, which is symbolic of him learning to live with the good and bad parts of himself. He realizes that he had been his own worst enemy all along and is able to get closure and learn about who he really is at the same time. While this story can be perceived through a biblical lens as a religious metaphor such as The Lion, the Witch and the Wardrobe, the intended overtones here are more ethically guided than religiously. There are several moments when Ged must decide whether he should use his powers and he is often forced to choose between the morally-acceptable choice and the dutiful choice, such as when Loethe is dying and his parents ask Ged to save him. He remembers the advise of Master Herbal to let dying people go but his conscience leads him to try anyway and he is forced to deal with the consequences. Although the reader can take this as him choosing to follow good Christian virtues and help save a dying person, in the context of the story, Ged’s moral guidance was at the forefront of most of the issues. Additionally, Le Guin makes the search for identity a central idea and something that Ged pursues subconsciously as he hunts the shadow where it’s more of an afterthought in The Lio n, the Witch, and the Wardrobe. In A Wizard of Earthsea, the relationship between Ged and his shadow give the implication that sometimes we stand in the way of our own success and limit ourselves. Likewise, his internal struggle to actualize the potential that he and those around him know he has after he fails multiple times is also an implication of the need to move past mistakes and embrace both sides of oneself in order to reach that potential. These proposals are something that anyone can relate to and apply to their own lives in their personal quests for self-identity. The general themes of pride and maturation are so common that it is likely that there are many people like Ged, on a journey overcome their blunders and tap into their potential, though the journeys probably differ greatly. Indeed, the fear of failing or making another mistake that changes Ged from the fearless, boisterous young boy he was into the more timid teenager he becomes is something that young to teenage readers can relate to their own lives. Taking a note from him, learning how to find the balance between being an overly confident, irrational youth and a cautious, cowardly adult is a life-long journey. Moreover, it is possible to relate to Peter on a similar level, because sometimes it seems easier and safer to stick with what you know and not open your mind to new possibilities. Although being open-minded hasn’t led me to experience magic, it has definitely helped me to understand myself and those around me better.

Theoretical Orientation Reflection Paper Natasha Cartwright

Theoretical Orientation Reflection Paper Natasha Cartwright Senior Seminar February 8, 2017 Dr. Hill Theoretical Orientation Reflection Paper Introduction In the field of social work it is essential to be aware of theoretical approaches to incorporate into the work and realize which one fits more effectively with your different perspectives of life. With a better understanding of who you are, it becomes more easier to figure out your best way of counseling; figuring out which theories you find least and most appealing helps as well. When you are rooted in a theoretical orientation that aligns with your personal values and beliefs everything aligns up well. Applying your research of theoretical orientations to your actual work creates†¦show more content†¦These strategies open the door in me discovering my own value system and that is an important aspect in finding my own theoretical orientation. When there is a most helpful option comes a least helpful one. Three strategies I did not see helpful in finding an orientation were: capturing myself and getting real. I chose these two because they seemed more perfect for when my orientation was already selected. Capturing myself on audio or video to see if I was practicing my theory would be suitable if I had the intentions on improving my techniques and not selecting. Getting real would be the same issue; these strategies are great when I am onto the next step of using my theory. After completing the Selective Theory Sorter-Revised activity in chapter three, I received quite a shock towards my actual thought process. The schools of thought that contained the highest scores would not have been my first choices had I been given the option to choose. I scored the highest in Cognitive Behavioral Therapy, Gestalt and Individual Psychology. What shocked me the most was how I scored the lowest (-1) in REBT and CBT was high, but they are both under the pragmatic school of thought. I guess I thought if one subsectio n would be high so would the another and vice versa. It left me thinking â€Å"so which pragmatic part am I most like and not like?†, overall, I thought I was completely pragmatic. From my results, my theoreticalShow MoreRelatedStephen P. Robbins Timothy A. Judge (2011) Organizational Behaviour 15th Edition New Jersey: Prentice Hall393164 Words   |  1573 PagesDemographic Characteristics of the U.S. Workforce 41 †¢ Levels of Diversity 42 †¢ Discrimination 42 Biographical Characteristics 44 Age 44 †¢ Sex 46 †¢ Race and Ethnicity 48 †¢ Disability 48 †¢ Other Biographical Characteristics: Tenure, Religion, Sexual Orientation, and Gender Identity 50 Ability 52 Intellectual Abilities 52 †¢ Physical Abilities 55 †¢ The Role of Disabilities 56 Implementing Diversity Management Strategies 56 Attracting, Selecting, Developing, and Retaining Diverse Employees 56 †¢ Diversity

Analysis Of Tom Stoppards The Hard Problem - 1694 Words

Tom Stoppard is a brilliant British playwright, whose intentions of writing are usually to touch, or provoke the intellectual and spiritual part of our beings. One of his profound plays The Hard Problem reveals the nature of consciousness and the importance of the awareness of human beings. That topic is quite deep and intense to be openly discussed, thus the author chooses to present the story of Hilary, a young psychology researcher, and cover up the initial tragic genre with easily accessible ones. The Hard Problem reveals a combination of a romantic comedy and sci-fi as sub genres and tragedy as a core genre. Tragedy genre originates from Ancient Greece and was staged as part of a huge festival called the City of Dionysian. Tragedy then was designed to have a sort of purging effect upon the community. In terms of genre, tragedy usually requires a tragic hero, who is often tempted to perform a deed, after which the hero’s fortune suffers a decline. The major elements of t ragedy are strongly discussed by the ancient Greek philosopher Aristotle in his well-known book Poetics. According to Aristotle, tragedy starts with order and finishes with disorder. In addition, the plot is the most important piece in tragedy and it is focused on human suffering. Aristotle discusses in details, the notion of catharsis, which is the purpose of evoking pity and fear in the audience and seeking piece by the end of the play. In other words it is very similar to the concept of

Environmental Analysis Of Disney Samples †MyAssignmenthelp.com

Question: Discuss about the Environmental Analysis Of Disney. Answer: Customers' tastes and preferences are changing. Disney, therefore, needs to reinvent its product offerings. Disney has been sourcing its products from low-cost factories in China. This trend is making Disneys merchandise not to be attractive to local customers. This is due to the belief that original and quality products come from Hong Kong. Disney should, therefore, change where it is sourcing its products from. Environmental analysis Disney is located in a small location in Hong Kong. Its small size is making it less attractive to customers. Following the incident in which a ticket hiccup occurred during a Chinese new year in February 2006, many customers abhor Disney. During this incident, a majority of the mainland tourists with valid tickets were barred from entering the park. The cause of this scenario was due to the small size of the park. Customers require large and spacious venues. Disney, therefore, needs to work on creating a more spacious venue that can accommodate more people. SWOT Analysis Strength Disneys strength lies in the huge number of the local people. If Disney can tap this resource then it stands a better chance of generating more revenue. So far, Disney does not face any serious competition in the market. This is advantageous given that Disney has the opportunity to dominate the market. The weaknesses Disneys has a negative public image. This is as a result of the February 2006 hiccup where a majority of the mainland tourists with valid tickets were barred from entering the park. This negative publicity is affecting the operations of Disneyland. This is affecting the income generated by the business. Besides, Disneys culture is not popular in China. This is partly due to the negative publicity and also due to the tight media control experienced in China (Farhoomand, 2005). Opportunity China is dominated by Chinese ethnic groups who are the majority. Disney ought to tap this opportunity. It can invest in Chinese artifacts which are loved by the huge Chinese population. Threats The location of Disney Park is far from the City Centre. This is a serious threat to its business opportunity given that a majority of the people may not like to travel to the scenic corner out is located outside the city of Hong Kong. A section of the park which was also built on a reclaimed land faced various challenges starting with the criticism by environmental groups. Reinventing product offerings Rebranding Disney needs to rebrand. Over the years, Disneyland has faced a lot of challenged which has seriously affected its public image. As a result, Disney has been abhorred by many would-be customers. The services of Disney have not always been proper. There has been lack of unique features which is essential for this kind of business. This has affected its operations and brought about low income. Rebranding Disney will help Disney to become acceptable and start afresh. Disney also needs to include in its merchandise sufficient products that appeal to the adult Chinese population. Chinese kids are often in school and thus have little opportunity to visit entertainment venues. Sufficient Chinese elements need to be included and well organized in the tourist and entertainment places. This will help boost attendance rate. A change of location is also very important. It will help erase the negative publicity and also help in attracting more people since the small size of Disney has discouraged people before. Satisfying the expectation of the customers begins by giving customers what they need. A good name is one of the very important things. Every customer would like to be associated with what is good not what is bad. Public image is thus very important. Customers need products that add value to their life too. Disney needs to find products and services that give value. References Farhoomand, A. (2005, August 31). Disney: Losing Magic In the Middle Kingdom. Asia Case Research Centre, pp. 1-32.